Studio albums: 20: Live albums: 52: Compilation albums: 3: Singles: 3: As a guest musician: Jerry Garcia was an American musician. Nevertheless, Built to Last, which was the band’s second attempt at recording a studio album on a theater stage with no audience, sounds cohesive and tight in parts, perhaps aided by the springy but now dated production. This is stoned and clever folk-rock that is more a forebear of Wilco or Ryan Adams than of the freak-folk stuff like Devendra Banhart or Grizzly Bear. (Yes, it’s true that there are probably no studio-album songs that weren’t done better live, but just play along with the concept here.). In hindsight, the jangly rhythm and peppy tempo make for an obvious commercial and critical success. Now this is how you're supposed to do a compilation -- especially by someone who isn't making music on this plane anymore. A large number of original studio albums and live releases are highlighted here, but, with Jerry being the most recorded musician of all time, there's always something new just … Guitarist, singer, and songwriter Jerry Garcia was best known as a founding member of the Grateful Dead, the rock band for which he served as de facto leader for 30 years, The true standout here is the ballad “Standing on the Moon,” which features Jerry and Robert Hunter taking stock of their lifelong success and concluding they’d rather be in a lover’s embrace. - Overall album rank: #10,466 - Rank in decade: #1,551 - Rank in year: #142 - Appears in: 33 charts. Just months before entering their then-indefinite touring hiatus in 1974, the Dead entered the studio and laid down what I would describe as extraterrestrial folk music. 40 years later, the suite holds up as a sublime (and, sure, overblown) documentation of forward-thinking psychedelia. Where to start with live Dead? Blues.”. While the Grateful Dead’s second album is drugs, pure and simple, you don’t need to trip on LSD to fully experience it. The albums are remastered for the box set, and include bonus tracks such as alternate versions and outtakes from the album recording sessions. ... Jerry Garcia Band (with Keith and Donna Godchaux and Merl Saunders) 28 Feb 1980 : After Midnight : Jerry Garcia Band (with Ozzie Ahlers) Stephen,” “China Cat Sunflower,” and “Cosmic Charlie.”. Despite its sheer awesomeness, the band has long rejected its studio iteration: The bombastic choral and string arrangements, bassist Phil Lesh wrote in his autobiography, were a “classic example of gilding the lily.” Jerry Garcia lamented that producer Keith Olsen “put the Grateful Dead in a dress.”. But Garcia was in perilous health, and studio recording lapsed after 1980’s Go to Heaven. According to fellow Bay Area guitar player Henry Kaiser, Garcia is "the most recorded guitarist in history. ... Now, two decades after Jerry Garcia’s death, the band is saying goodbye to the Grateful Dead with five beyond-sold-out shows. But nothing here compares to the titular song suite, “Terrapin Station Part 1” (there never was a Part 2), a majestic achievement of both progressive folk balladry and orchestral ambitiousness. Essential tracks: “Touch of Grey,” “Black Muddy River,” and “Hell in a Bucket.”. The soaring, anthemic chorus—“I will get by / I will survive”—is a timeless rallying cry amid seemingly unending dystopia. Essential tracks: “Brokedown Palace,” “Attics of My Life,” “Sugar Magnolia,” and every other song. Standout tracks like “Althea” and the rearranged traditional “Don’t Ease Me In” became essential ’80s-period live tunes, but the production and delivery here make them rather forgettable. In 2003, Rolling Stone ranked Jerry Garcia 13th in their list of the "100 Greatest Guitarists of All Time". Speaking of Dylan, in 1969 the reclusive bard traveled to Music City to record Nashville Skyline with help from country sessions players and Johnny Cash. Albums. Aside from some mediocre songwriting elsewhere on In the Dark, the biggest long-term knock against this late-period album is that its unexpected radio smash-hit phenomenon “Touch of Grey” created the reviled walking-stereotype, neo-hippie, gate-crashing poseurs known as “Touch Heads.”. But as with all the Dead’s more mediocre studio efforts, the great songs on this record became live staples, all without the slithery and misguided self-indulgence of their studio versions. ‘Knock Me Down’ (1989): I felt it was pretty important to include a song from Mother’s Milk as the record showed just how prodigiously talented Frusciante was. What they do not think of, however, are the Grateful Dead’s studio albums. A guitarist, singer, and songwriter, he became famous as a member of the rock band the Grateful Dead, from 1965 to 1995.When not touring or recording with the Dead, Garcia was often playing music in other bands and with other musicians. The prolific nature of Jerry Garcia is evident in the breadth of albums he released through his musical career. Rhino's double-disc Very Best of Jerry Garcia is arguably exactly that. The result: Fans and critics alike dismissed the album as supremely out of touch. Yet while the Dead have become associated with the amorphous, occasional eyeroll-inducing genre of “jam bands”—often synonymous with hacky-sack-toeing frat-house hippies and self-indulgent improvisational Americana-adjacent acts—they were actually just the quintessential American rock ‘n’ roll band. 100 Greatest Guitarists: David Fricke’s Picks From Jerry Garcia and Joan Jett to B.B. Where their debut was limited by label demands and studio naiveté, Anthem was where the Dead decided to let their psychedelic freak-flag fly. 1, Saunders/Garcia/Kahn/Vitt, 1988 Keystone Encores Vol. 2, Saunders/Garcia/Kahn/Vitt, 1988 Almost Acoustic, Jerry Garcia Acoustic Band, 1988 Liv… In hindsight, the Dead’s final studio album’s title has an ironic twist: The band was no longer built to last. “Musically, this is a deceptively demanding combination of American Beauty and Aoxomoxoa,” rock critic Robert Christgau wrote of the Dead’s sixth studio album. Genres: Jam Band, Roots Rock, Folk Rock. The band recorded studio tracks and then mixed it together with live samples—“for the hallucinations,” as Jerry explained. The only track not limited for time by scrupulous record executives was “Viola Lee Blues,” a 10-minute enthralling odyssey that transforms a three-chord bluesy jugband melody into a multidimensional vamp that easily fit as a soundtrack to many Bay Area boomers’ acid-test experiences. A year later, the Dead managed to outdo Dylan on that front—all from the hustling, bustling comforts of downtown San Francisco. The gorgeous hymn made for similar messaging in 2017, when Gregg Allman covered it on his final record, recorded while he was well aware he was near-death. The finely tuned harmonies of “Attics of My Life” make for one of the greatest pensive moments in the Dead’s catalog, while “Brokedown Palace” serves as one of the most heartbreakingly anthemic funeral songs ever written (to my loved ones: please play it at my burial alongside Dylan’s “Every Grain of Sand”). Amidst the growing counter-culture scene in the San Francisco Bay Area, The Grateful Dead were founded by lead guitarist/vocalist Jerry Garcia, bass player Phil Lesh, rhythm This is the closest the Dead came to dabbling in the mid-’70s progressive-rock of Yes or the jazz-fusion of Mahavishnu Orchestra. One of its founders, Garcia performed with the Grateful … The obvious standout on The Grateful Dead is “Morning Dew,” which is heard here in its primitive stage, shortly before it was crafted into one of the band’s signature live songs with earth-shattering climaxes. All albums made by Jerry Garcia with reviews and song lyrics. But ignore those guys (kidding!). It’s a shame the Dead didn’t include the same sessions’ takes on gorgeous traditionals “Peggy-O” and “Jack-a-Roe,” because Go to Heaven might’ve had an entirely different and better feel. As the title track’s porn-groove cheesiness made quite apparent, instead of embracing their perpetual outsider status, the Dead opted for light and bouncy. Genres: Folk Rock, Jam Band, Progressive Bluegrass. Cuts like Jerry’s breathtaking, twinkling ballad “Stella Blue” and the slide-guitar-and-bass-thump of “Row Jimmy” show off the band’s astounding songsmanship, while “Eyes of the World” boasts of the technical mastery of the Dead as a cohesive unit in a jazz-like ensemble. Find Jerry Garcia discography, albums and singles on AllMusic. There are many obstacles (mostly imaginary) to the average person listening to the Dead, but once you get it, you truly get it: The Dead were among the greatest rock, folk, and country-rock songwriters of the 20th century. Both GARCIA albums and CATS UNDER THE STARS plus JERRY GARCIA BAND (his live double-CD set on Arista Records, now out-of-print) plus any of the electric PURE JERRY CDs are all fine, fine albums. 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